Steve Hackett revisits Genesis in Collingswood (11/22/2014)

Steve Hackett

Live at the Scottish Rite Auditorium

November 22, 2014

Note: I’m aware that I’m writing this concert review pretty late, considering the show was on November 22. However, I’d still like to have a review written since I’ve been doing this in some for every concert I’ve seen ever since I saw Kiss in 2009 (with the exception of Rush, but I did post a short review of it on this blog’s Facebook page). I really did enjoy this concert so I’d like to share that with you. Enjoy.

            Former Genesis guitarist Steve Hackett, along with his band, performed at the Scottish Rite Auditorium on November 22. Hackett, 64, has been touring the last few years playing the songs from the classic era of Genesis as part of his Genesis Extended Tour. While many would like to see the classic line-up of Genesis reunite (Hackett, Peter Gabriel, Mike Rutherford, Phil Collins and Tony Banks), Hackett and his band put on a hell of a show.

            The lights went out a little after 8 pm. The audience started to cheer and soon enough, Hackett and his band arrived on the stage, starting the evening off with “Dance on a Volcano” from A Trick of the Trail. Immediately, Hackett’s lead singer Nad Sylvan struck out- with his long blonde hair and dramatic stage presence. Throughout the show, Sylvan nailed each song and did at times sound just like Gabriel. In between songs, Hackett spoke to the crowd and introduced each song. “Squonk” was next, which was then followed by “Dancing With the Moonlit Knight.” The band played three songs from 1971’s Nursery Cryme. The last of the them, “The Musical Box,” was the most impressive as the band played the whole 17 minutes of the song. With its constant change in tempo, it was amazing that Hackett and the band could pull it off. Sylvan led the audience in chanting the song’s last verse- “Now, now, now, now, now!” After the song ended, the band received a well-deserved standing ovation.

            “I Know What I Like” followed after, which had almost everyone in the audience singing along to what was an unexpected minor hit for Genesis in 1973. While the band was playing songs from Hackett’s time with the band (1971-78), they did play “The Knife” from Genesis’ sophomore effort Trespass- which Hackett did not play on since he hadn’t joined the band at that time. Sylvan was dramatic throughout the performance, holding a knife of his own. The band ended their set with “Supper’s Ready,” Genesis’s 26 minute epic that closed 1972’s Foxtrot. Many Genesis fans regard it as the band’s best song, as it tells the story of an apocalypse in seven different parts. It’s a hard song to play live, given it jumps from one part to another. When Genesis played it live back in the day, Gabriel would go through a few costume changes- most notably wearing a “flower mask” in one part. While Sylvan didn’t do the same, he did come out decked in a brown robe towards the end of the song. After a long performance, the band said goodnight…until they came back out to play “Watcher of the Skies” and “Los Endos” for the encore.

            No matter what kind of Genesis fan you are, I’d highly recommend going to see Steve Hackett and his band if they do come back to play the songs of Genesis. I was skeptical at first but at this rate, it’s probably the closest you’re going to get seeing Genesis live.

Setlist

1.      Dance on a Volcano

2.      Squonk

3.      Dancing with the Moonlit Knight

4.      Fly on a Windshield

5.      Broadway Melody of 1974

6.      Return of the Giant Hogweed

7.      The Fountain of Salmacis

8.      The Musical Box

9.      I Know What I Like (In Your Wardrobe)

10.  Horizons

11.  Firth of Fifth

12.  Lilywhite Lilith

13.  The Knife

14.  Supper’s Ready

Encore

15.  Watcher of the Skies

16.  Los Endos

The band

Steve Hackett- guitar/vocals

Nad Sylvan- vocals

Nick Beggs- bass/vocals

Gary O’Toole- drums/vocals

Roger King- keyboards

Rob Townsend- sax/flute/keyboards/percussion/vocals

Ian McLagan dead at 69

Ian Patrick "Mac" McLagan

May 12, 1945-December 3, 2014

Ian McLagan, best known as the keyboardist for the Small Face and later the Faces, has died. McLagan was 69 years old. Earlier today, it was reported that McLagan was in critical condition after suffering from a head injury. A statement on McLagan's website said that the keyboardist had died from complications from a stroke he had the day before. McLagan was approached to join the Small Faces in 1965 after original keyboardist Jimmy Winston left. McLagan was joined by guitarist/singer Steve Marriott, bassist/singer Ronnie Lane and drummer Kenney Jones. Together, the band released three studio albums and many hit singles- including "Here Come The Nice," "Itchycoo Park" and "Afterglow (Of Your Love)." 

Marriott left the band in 1969 to form Humble Pie. The band were close to breaking up until they were approached by singer Rod Stewart and guitarist Ronnie Wood, both of whom begged them not to split. The band rehearsed with Stewart and Wood, ultimately continuing as the Faces (the "small" monkier was dropped given that Stewart and Wood were 5"9 and 5"10).  The Faces would release four studio albums, leaning more towards a hard rock/blue sound than the psychedelic rock of the Small Faces. The group split in 1975, but McLagan would go on to rejoin reunited versions of both bands. Aside from his work with the Small Faces/Faces, McLagan would often play for the Rolling Stones while they were on tour. Before his passing, McLagan was currently in a reunited version of the Faces with Wood, Jones, singer Mick Hucknall and bassist Glen Matlock.

I'm very saddened to hear about Mac's passing. With Mac gone, three of the four Small Faces have now passed: Steve Marriott died in a house fire in 1991 and Ronnie Lane died from multiple sclerosis in 1997. The Faces meant to reunite with Rod many times but nothing became of it. Kenney Jones announced that the four surviving Faces would reunite for a tour next year. 

This is such a shame. 

Rest in peace, Mac. 

AC/DC- Rock or Bust album review

 

AC/DC

Rock or Bust

Rating: *** 1/2 to **** (3.75)

            It might be hard to believe but this year of 2014 marks 40 years since Aussie hard rockers AC/DC formed. To celebrate, the band has decided to release a new studio album and have a tour to follow it in 2015. The new album, Rock or Bust, is the band’s first album since 2008’s Black Ice. However, AC/DC release Rock or Bust with a heavy heart as the band has gone through a major change in their line-up: rhythm guitarist and co-founding member Malcolm Young was forced to retire from the band, having suffered from a stroke earlier this year and is currently being treated for dementia. Replacing Malcolm is Stevie Young, nephew of Malcolm and Angus. Stevie is no stranger to AC/DC, having filled in for Malcolm during the band’s 1988 tour. Despite Malcolm’s absence, Rock or Bust manages to be another good album from AC/DC and celebrates their 40^th anniversary well.

            The band gets right down to it, opening the album with the title track. With a mean guitar riff from Angus (similar to the one in “Back in Black”) and solid bass line from Cliff Williams, “Rock or Bust” is one of strongest tracks from the album. Singer Brian Johnson sounds great, which is saying a lot considering his age. The lead single, “Play Ball,” is another great song. While the song doesn’t have the greatest lyrics, it’s a short and sweet catchy song. For an album that’s a little under 35 minutes, there’s plenty of things from this album that can be enjoyed. AC/DC sure know how to deliver hard rocking tracks, slow and fast. “Dogs of War” is a slower track with some dark overtones and an edgy sounding chorus while I can already see Angus doing his Chuck Berry duck walks during the rapid-fire “Baptism by Fire.” Speaking of which, Angus really shines on this album. He and Stevie dominate during “Miss Adventure” while he plays some tasty Zeppelin-esque riffs during “Rock the House.” The latter track is so catchy; I wouldn’t be surprised if it’s used at any strip joints!

Rock or Bust does have a few weaknesses. As mentioned before, the album runs at 34 minutes- making the album AC/DC’s shortest. While I praise the band for trying keeping it short (which wasn’t the case for Black Ice: that clocked in at 55 minutes), I still feel like something’s missing. While Black Ice was the longer album, I feel it had better songs. “Got Some Rock & Roll Thunder” has a nice bass line from Williams but doesn’t go elsewhere while “Sweet Candy” just sounds like a continuation of “Rock the House.” Still, these are small bits of criticism and it doesn’t stop the album from being enjoyable.

           Overall, Rock or Bust is a solid album from AC/DC. With that, I will look forward to seeing the band tour next year. However, there might be another line-up change in the future:   along with Malcolm’s retirement, drummer Phil Rudd was arrested in New Zealand last month and is now facing threatening to kill and drug possession charges. Despite this, AC/DC has said their touring plans remain unchanged, saying they will go on with or without Rudd. In the meantime, AC/DC fans can enjoy Rock or Bust. 

Rolling Stones saxophonist Bobby Keys dead at 70

Robert Henry "Bobby" Keys

December 18, 1943-December 2, 2014

Bobby Keys, best remembered as the saxophonist for the Rolling Stones, passed away today after a battle with cirrhosis. Keys was 70 years old. Keys was born in Slaton, Texas and by the time was 15, he was playing for Bobby Vee and even Buddy Holly. Keys joined the Rolling Stones as a side member in 1969, making his first appearance on a Stones album on Let It Bleed (providing the sax solo on "Live With Me"). Keys was close to the members of the band, especially Keith Richards- who was born on the same exact day as Keys. Keys stopped plays for the Rolling Stones for a while but joined their touring group 1980. Although mostly known for his work with the Stones, Keys was able to play with different artists including George Harrison, John Lennon, B.B. King, Harry Nilsson, Joe Cocker and on several solo albums by Keith Richards and Ronnie Wood. Prior to his death, Keys was not touring with the Stones due to his illness. 

It's very sad to hear of Bobby's passing. He was a wonderful sax player. He was there when I saw the Stones in 2002 during their Licks tour. He also seemed like a sweet guy and it's just a shame that he's gone.

Rest in peace, Bobby.

Pink Floyd- "The Endless River" review

 

Pink Floyd

The Endless River

Rating: *** (3.25)

Earlier this year in July, many were surprised to hear that Pink Floyd would be releasing a studio album. The album, The Endless River, isn’t exactly a brand new album: most of the album was originally recorded in 1993. Now with newly recorded parts from guitarist David Gilmour and drummer Nick Mason, The Endless River not only serves as the band’s official swan song but also as a tribute to keyboardist Rick Wright, who passed in 2008. While this album didn’t need to be released, it’s good that Pink Floyd will finally have some sort of closure.

            As mentioned before, The Endless River not an entirely new album. The album was recorded sometime during the time The Division Bell was being recorded. This wasn’t originally meant to be a Pink Floyd project but instead a side project leaning more towards an instrumental ambient sound (so that means with the exception of one track, the entire album is instrumental) . These sessions were referred as “The Big Spliff.” The band considered releasing the album but it was shelved until two decades later. Gilmour and Mason went into the studio to record new parts for the songs, trying to make them sound complete. Bassist Roger Waters, in case you are wondering, is nowhere to be found on this album. Given Waters had left in 1985, he didn’t need to be on this album (though admittedly, it would’ve been neat to have seen Waters contribute to Floyd’s last album).

            With it being almost entirely instrumental, it’s hard to review an album like The Endless River. There are 18 tracks, many of which only last for a little over a minute. Even for the CD version, the tracking list is labeled as a four sided album as if it were a vinyl record. Sometimes, the album can be boring to listen to. While songs such as “Unsung,” “On Noodle Street,” and “Eyes to Pearls” have nice melodies, they end up going nowhere else musically. Some songs on the album take a while to kick in. “It’s What We Do” features some great keyboard work from Wright but it’s not until halfway through the song that we hear Gilmour’s screeching guitar. This is also the case for “Sum” and “Talkin’ Hawkin’.” The former showcases all three members playing together while the latter samples words from Stephen Hawking.

I personally enjoy “Skins,” which allows Mason to show off his drumming skills. Wright also shines throughout the album, especially during “Autumn ‘68” which features Wright working his magic on the Royal Albert Hall pipe organ. I also enjoy both “Allons-Y” tracks as they’re the most “Floyd-ish” sounding of the 18 tracks. However, I wish the tracks were longer as both only last for less than two minutes. The album does end on a high note with the powerful “Louder Than Words.” Written by Gilmour and his wife Polly, it’s the only song on the album with vocals. The song is well written and even 20 years after The Division Bell, Gilmour’s voice still sounds great.

While it doesn’t feel like a completed product, The Endless River still manages to be a solid album. As mentioned before, I don’t think it was necessary for this album to be released. The Division Bell, while not intended to be the band’s original last album, did end their discography well. Still, this isn’t a bad album and it is a touching tribute to Wright. My concern for the album is if it will age well. Will people go back to this album years later and say great things about it? For the time being, The Endless River is good for what it is. 

AC/DC drummer Phil Rudd arrested for attempting to procure a murder (UPDATE: Charges dropped 11/6)

AC/DC drummer Phil Rudd was arrested on Thursday morning in New Zealand. The 60-year-old drummer was charged with the attempt to procure a murder of two people. The news was reported first by Stuff.co.uk, and has since then been confirmed by the Tauranga Central division of New Zealand. News sources have reported that Rudd was also charged for possession of methamphetamine and cannabis. Rudd appeared at Tauranga District Court later in the afternoon and was released on bail. He is scheduled to appear in court again three weeks from now. While the police didn't go into further detail about the arrest, it has been reported by the Sun in New Zealand that the murder would've taken place sometime during September 25th to 26th of this year. The identities of the two people Rudd allegedly tried to have murdered have yet to be revealed at this time.

Rudd first joined AC/DC in 1975, a time in which AC/DC had only been around for two years. In terms of drummers, Rudd was the band's fourth. Rudd stayed with the group up until 1983 before the release of Flick of the Switch. AC/DC would continue with two other drummers, Simon Wright (1983-1989) and Chris Slade (1989-1994), until Rudd rejoined after reconciling with the Young brothers in 1994. AC/DC have already announced the release of a new studio album, Rock or Bust, for December 2. It will be the band's first album without co-founding member Malcolm Young, who was forced to retire from the band as he suffered from a stroke earlier this year and is now being treated for dementia. The Young Brothers' nephew, Stevie Young, will be taking his uncle's place (which he had done before during the Blow Up Your Video tour while Malcolm was in rehab). Rudd released a solo album himself back in August entitled Head Job.

I'm very surprised to hear this news. As much as I adore AC/DC, I have to admit that I really don't know much about the members as people. From what I've heard, the guys are really nice and down-to-earth. Still, you never really hear about the other members doing other things outside of the band (with the exception of Brian Johnson, who is usually giving interviews and is almost the band's spokesman in a way). In a way, the guys seem to keep private. Phil seemed like a cool guy in a great band. It really is a strange situation here and we'll just have to wait and see how it all plays out.


UPDATE (11/6/14): According to Blabbermouth and various other sources, the charges against Phil Rudd for attempting to procure a murder have been dropped. Rudd's lawyer, Paul Mabey MC, stated on Friday November 7 (in New Zealand time) that there was "insufficient evidence" for the charge to be justified. Therefore, the charges have been dropped. However, Rudd is still charged with possession of drugs (methamphetamine and cannabis), as well a threatening to kill charge. Mabey stated that the drug charges are "minor" and that Rudd will now be defending the threatening to kill charge.

I'm happy for Phil that this turned out okay. I was worried that this would be something pretty huge. With any luck, this shouldn't affect AC/DC's touring plans.

Paul McCartney & Wings- "Venus & Mars" and "Wings At the Speed of Sound" reissue review

           

            Following last year’s reissue of Wings Over America, MPL and Hear Music/Concord have released the next two entries in the Paul McCartney Archive Collection. The albums, Venus and Mars and Wings at the Speed of Sound, were albums released during the peak of Wings’ career. As with the previous entries, the albums are newly remastered and each come with a second disc of bonus tracks. In terms of sound, the remastering on both albums is top notch and should make any McCartney fan happy.

  

Venus and Mars

Album Rating: ****

Bonus Disc: ****

            Released in 1975, Venus and Mars was Wings’ follow up to the critically acclaimed Band on the Run. At this point in time, Paul McCartney had expanded the line-up of Wings. Along with McCartney was his wife Linda on keyboards and guitarist/singer Denny Laine. Guitarist Henry McCullough and drummer Denny Seiwell had both left before Band on the Run was recorded, leaving Wings as a trio for that album. In 1974, 21-year-old Scottish guitarist Jimmy McCulloch and drummer Geoff Britton were added to the group. This line-up did not last for very long. After only a few recording sessions, Britton left the group. He would be replaced by American drummer Joe English. With McCulloch and English in the group, the band were about to embark on what would be the band’s most successful time in their career.

            Venus and Mars has always been a personal favorite of mine. As a follow-up to Band on the Run, I think it’s a very strong album. Compared to the band’s previous work, Venus and Mars does sort of have a hard rock edge to it. The album opens with the brilliant two-parter of the title track and “Rock Show.” The latter is a fun track to listen to, as the lyrics make references to different venues and rock music in general at that time. While the big hit single from is album is “Listen to What the Man Says,” there are plenty of great song on this album. There’s the rocking “Magento and Titanium Man,” the funk riddled “Letting Go,” and Laine’s spacey “Spirits of Ancient Egypt.” Being a fan of McCulloch’s work in and out of Wings, his anti-drug rocker “Medicine Jar” is another favorite of mine.

In terms of remastering, the sound quality is quite impressive. My older copy of Venus and Mars is the 1987 CD issue. Compared to that, the new remaster sounds rich and better (I am aware that the last time most of McCartney’s albums were reissued was in 1993 as part of the Paul McCartney Collection). Some things do stand out more, such as the keyboard work.

            The bonus disc is certainly an improvement over the last few ones, as it clocks in at 50 minutes. However, six of the fourteen tracks- such as the hit single “Junior’s Farm” and “My Carnival”- have all been released before as bonus tracks (though “Sally G,” “Walking in the Park  With Eloise” and “Bridge On the River Suite” were all bonus tracks on older versions of Speed of Sound). The eight new unreleased tracks are quite good. There’s a great rendition of “Soily” on here from the One Hand Clapping documentary and new songs in “Let’s Love” and “4^th of July.” While it can be boring at times listening to the bonus disc, completists should be happy nevertheless.

 

Wings at the Speed of Sound

Album Rating: *** ½

Bonus Disc: ***

            Wings at the Speed of Sound was quite a big seller when it was released in 1976. The reviews for the album, however, did not match with the sales: reviews were mixed, most feeling that the album was weak. For me, At the Speed of Sound is a strange album. There are some great songs on here but compared to Venus and Mars, it feels like the band went soft on this one. Still, At the Speed of Sound is not a bad album at all.

            Speed of Sound features two of the band’s biggest hits- “Let ‘Em In” and “Silly Love Songs.” While there are some people who don’t like these songs (especially the latter), I have a soft spot for them. There are other great songs on here with some of them sounding better when performed live. For example, Laine’s “Time to Hide” and the heavy “Beware My Love” are great songs but have more of a punch to them when they were performed live. Speed of Sound also holds the distinction of being the only Wings album to feature all of the members singing at least one song. Laine gets two sing two songs- the aforementioned “Time to Hide”  and his sorrowful “The Note You Never Wrote” (the latter of which has a killer guitar solo).  Being a fan of McCulloch, I do enjoy the guitar-driven “Wino Junko,” which is another rocker about the dangers of drugs (unfortunately for McCulloch, he would die from a drug overdose three years after the release of this album). Joe English even gets to sing a song- the McCartney-penned “Must Do Something About It,” which is a really great deep track on here. English’s voice is sensational on here and I wish he had leant his vocals on more Wings tracks (After English left Wings, he had a career as a Christian Rock artist). While Linda McCartney is sorely missed by all of us, I have to admit that “Cook of the House” was not one of her best moments.

As for the remastering, it’s quite strong. My previous copy of Speed of Sound was a CD issue released 1989. Compared to that, this new remaster is way better. I’ve said before that Speed of Sound has been a strange album for me, but I think the new remaster makes me appreciate it a little more. For me, the bass is ridiculously good. It stands out remarkable. Just listen to “Silly Love Songs” and you’ll see (or rather hear) what I’m talking about.

            The bonus disc for Speed of Sound is quite disappointing, as it consists of only 21 minutes of material. Still, none of the seven tracks on here have been released. There is an interesting take of “Beware My Love” featuring John Bonham of Led Zeppelin pounding away at the drums. The demos for “Silly Love Songs” and “Let ‘Em In” are interesting, as you get to hear Paul harmonize with Linda and Denny respectively.

            Overall, I’ve enjoyed both reissues of Venus and Mars and Speed of Sound. Both albums sound great and for me, are better than any other versions of the album I’ve owned before. For those of you who own the 1993 remasters, it’s completely up to you. If you were happy with the previous reissues in this series, I’d say go for it and buy them.

It should also noted that with these two reissues, all of the albums on the small paper ad that came with the Band on the Run reissue have been released: McCartney, McCartney II, Ram, Wings Over America and now Venus and Mars and Speed of Sound. The Paul McCartney Archive Collection will now continue with the reissues of Tug of War and Pipes of Peace.