Hello, all. Welcome to my blog! I plan for this blog to be about classic rock, hard rock, and heavy metal. I could have news reports, lists, reviews on an album or movie/DVD, or just about anything. Enjoy my blog!
Hard rock band, Quiet Riot, will be releasing a brand new studio album. The album, Road Rage, will be the band's first album since 2014's 10. However, this will be the band's first full length studio album since 2006's Rehab- as 10 consisted of six new studio tracks with singer Jizzy Pearl and four live tracks with the late Kevin DuBrow. With Pearl leaving the band at the end of last year, this new album will feature former Adler's Appetite singer Seann Nicols. This reunited version of Quiet Riot formed in 2010, almost three years after the tragic death of original singer Kevin DuBrow. With the blessing of DuBrow's mother, drummer Frankie Banali reformed the band with the other surviving members of the band's last line up: guitarist Alex Grossi (who joined in 2004) and bassist Chuck Wright (who has been in and out of the band since 1982). The band has been through four lead singer since 2010: Mark Huff (2010-2011), Scott Vokoun (2012-2013), Jizzy Pearl (2013-2016) and now Seann Nicols. Road Rage is set to be released on April 21 on Frontiers Music Srl, with a tour to follow this summer.
rock band Black Star Riders are back with their third studio album. The album, Heavy Fire, is the follow up to 2015’s The Killer Instinct. The band, who are
fronted by Ricky Warwick, are a spin off band of the reunited Thin Lizzy. While
guitarist Scott Gorham is the only member who played in the band’s first run
with the late Phil Lynott, the other members are well versed in Lizzy songs. All
through last year in 2016, Warwick and Gorham toured under the Lizzy name celebrating
the 40th anniversary of the Jailbreak
album- as well as honoring their leader Phil Lynott 30 years after his death. With
the Thin Lizzy shows completed, the focus is now on Heavy Fire. After listening to the album a couple of times, it’s
safe to say this is yet another great album from Black Star Riders.
The album kicks off with the
chugging sways of the title track. The band are in fine form, firing on all
cylinders by the chorus. Warwick gives an impressive vocal performance as he is
able to phrase the wordy lyrics- a gift that the late Phil Lynott had. If it
could be compared to another song- think of fast phrasing from Lynott in the
Lizzy classic “It’s Only Money.” The album’s lead single, “When The Night Comes
In,” is different from the previous lead singles. While it sounds like the
traditional Lizzy song with sweet guitar harmonies, the song utilizes in female
backup singers during the chorus and bridge- giving the song a soulful feel. With
The Killer Instinct, the band
maintained the Thin Lizzy sound but it also sounded like they were trying to
make a sound for themselves. With Heavy
Fire, the songs lean more towards the Lizzy sound. Examples include “Who
Rides The Tiger” and “Testify or Say Goodbye.” The former is a tough hard-hitting
rocker while the latter is wonderfully melodic as Gorham and Damon Johnson work
that dual lead guitar sound. Many of the songs here stay true to what Lynott
loved to write about such as war (“True Blue Kid”), hopeless romantics (“Dancing
With the Wrong Girl”) or both (“Cold War Love”). While Warwick, Gorham and
Johnson get to showcase their talents the most, bassist Robbie Crane and
drummer Jimmy DeGrasso still get to shine. DeGrasso drums his heart out on “Dancing
With The Wrong Girl” while Crane plays the prowling bass line on “Thinking
About You Could Get Me Killed.” All five members get to shine one last time on
the album’s energetic closer “Letting Go of Me.”
Fire is simply another hard rocking album from Black Star Riders. When put
against All Hell Breaks Loose and The Killer Instinct, you can’t really
compare them by much: these three albums have all been consistent from
beginning to end. If you’re new to the band but loved Thin Lizzy back in the
day, I’d say pick up this album and their other two. If they’ve got a fourth
album in them, I say bring it on.
John Wetton, bassist for King Crimson and many other bands, passed away this morning in his sleep after a long battle with colon cancer. Wetton was 67 years old.
In his early career, Wetton was in several different bands. Some of his early bands included Mogul Thrash, Renaissance and Family. Shortly after his brief stay in Family, Wetton joined prog rockers King Crimson as their bassist and lead singer. While still successful at the time, the three albums that followed the band's iconic debut album received lukewarm responses. With Wetton, King Crimson released a trio of well received albums- Larks' Tongue In Aspic (1973), Starless and Bible Black (1974) and Red (1974). Wenton was with the band until guitarist and founding member Robert Fripp announced the split in 1974 (the band would reunite years later but Wetton didn't rejoin).
After the split of King Crimson, Wetton joined Uriah Heep in 1975- replacing bassist Gary Thain. Wetton would record two albums with the band- Return to Fantasy (1975)and High and Mighty (1976)- before leaving in 1977. From 1977 to 1981, Wetton was in the short-lived supergroup UK and briefly joined Wishbone Ash for their 1981 album Number the Brave. Wetton also started a solo career- his debut being 1980's Caught in the Crossfire. It wasn't until 1981 when Wetton found himself working with Yes guitarist Steve Howe, ELP drummer Carl Palmer and Buggles/Yes keyboardist Geoff Downes. This new band would become the supergroup Asia- who achieved commercial success with the release of their self-titled debut, which featured the hit single "Heat of the Moment." Asia would split in 1986 but reunited on/off over the years since 1989. In 2007, Wetton's health started to decline due to a heart condition- which Wetton attributed to his battle with alcoholism. In May 2015, Wetton underwent surgery to have a cancerous growth removed. Earlier this month, Wetton announced he would not be taking part in Asia's 2017 tour with Journey, with current Yes bassist Billy Sherwood filling in for him.
Wetton is survived by his wife Lisa, his son Dylan, his brother Robert and his mother Peggy.
It's sad to hear about Mr. Wetton's passing. He was an immensely talented bassist and it's amazing to look at his long list of credits. The man left us with some great music.
Former Black Sabbath keyboardist Geoff Nicholls died this morning after a long battle with lung cancer. Nicholls was 68 years old. According to Blabbermouth, Nicholls' cancer was said to be in remission but Nicholls had succumbed to the side effects of the chemotherapy.
Nicholls joined Black Sabbath in 1979. At that point in time, the band had hired former Rainbow singer Ronnie James Dio to replace original singer Ozzy Osbourne. Nicholls' first album with the band was 1980's Heaven and Hell. Throughout his time in the band, Nicholls was often credited as an unofficial member- as he didn't appear in promotional band pictures. However by the mid 1980s, Nicholls was in pictures with the band. Whether he was an unofficial member or not, Nicholls was in Black Sabbath for many years from 1979 to 2004. Prior to joining Sabbath, Nicholls played keyboards for heavy metal band Quartz from 1974 to 1979.
Tributes have been posted by the social media pages for the members of Black Sabbath.
Tony Iommi: I'm so saddened to hear the loss of one of my dearest and closest friends Geoff Nicholls. He's been suffering for a while now with lung cancer and he lost his battle this morning. Geoff and I have always been very close and he has been a real true friend to me and support me all the way for nearly 40 years. I will miss him dearly and he will live in my heart until we meet again. Rest in Peace my dead friend.
Geezer Butler: Very sad to hear of old friend and Sabbath keyboard player Geoff Nicholls' passing. RIP Geoff.
Ozzy Osbourne: Geoff Nicholls was a great friend of mine for a long time. He will be greatly missed. I'm very saddened at the news.
Tony Martin (Sabbath singer 1987-91 and 1993-95): Saddened to hear of the passing of Geoff Nicholls...keyboard player and friend from Sabbath...Safe journey mate.
Pete "Overend" Watts, bassist and co-founding member of glam rockers Mott the Hoople, died today. According to the Mott Road Crew Live Facebook page, Watts died in his sleep after a long battle with throat cancer. Watt was 69.
Watts was attending Ross Grammar School when he started learning to play guitar. By 1965, he started playing bass and found himself in a band called the Buddies with guitarist Mick Ralphs. The band would go through several changes before finally becoming Mott the Hoople in 1969. The band's original line-up consisted of Watts, Ralphs, singer/songwriter Ian Hunter, drummer Dale "Buffin" Griffin and keyboardist Verden Allen. Mentored by Guy Stevens, Mott the Hoople struggled early in their career. While the band had its fan base, the band couldn't nab a hit single. The band considered calling it a day in 1972 until singer David Bowie came to the rescue. Bowie told the band not to break up, offering to produce their fifth album. That album, All The Young Dudes, saved the band's career thanks in part to the album's title track- which was written by Bowie.
With their success, Mott the Hoople went on the achieve success with hit singles such as "All the Way from Memphis," "Roll Away the Stone" and "The Golden Age of Rock N Roll." The band stopped using the Mott the Hoople name after Hunter left in 1974. The remaining members would continue on as Mott for two albums and then as British Lions before breaking up in 1980. Watts and Griffin were the only two members from the original line-up that stuck through the band's entire run from 1969 to 1980. After the band's split, Watts continued to work in music. During the 1980s, Watts would produce albums for bands such as Hanoi Rocks. Mott the Hoople would reunite in 2009 and 2013 for a short run of shows. Watts' death comes a year after the death of Dale Griffin, who died in January 2016 after a long battle with Alzheimer's disease.
Ian Hunter posted on Facebook and social media- paying tribute to Watts, saying...
"Oh dear. My extremely eccentric, lovely mate- Peter Overend Watts- has left the building. Devastated."
UMe have announced that the solo albums released by former Beatle George Harrison will be reissued on vinyl on February 24th- just in time for what would've been Harrison's 74th birthday. The albums will be reissued in a lavishly packaged box set- containing 18 vinyl records. All of the albums have been newly remastered and will all be on heavyweight 180 gram vinyl. Each album will be faithful to the original releases, complete with inserts and posters.
The albums included in the box set are:
Wonderwall Music (1968)
Electronic Sound (1969)
All Things Must Pass (1970- 3 LPs)
Living in the Material World (1973)
Dark Horse (1974)
Extra Texture- Read All About It (1975)
Thirty Three and 1/3 (1976)
George Harrison (1979)
Somewhere in England (1981)
Gone Troppo (1982)
Cloud Nine (1987)
Live in Japan (1992- 2 LPs)
There is also two picture discs included in the box set for the Cloud Nine singles "When We Was Fab" and "I Got My Mind Set On You."
The albums in the box set will also receive individual releases, with the exception of the All Things Must Pass reissue- which will be sold individually for a limited time.
Along with this box set, Harrison's 1980 autobiography I Me Mine will be re-released with new pages added- picking up where the 1980 book left off. Included in the new book will be lyrics to 141 songs and unpublished pictures.
You can pre-order the box set on Amazon for $466.98. Click here to pre-order it, or any of the individual albums.
has been a wild year. From the 2016 Presidential Election to the terrorist
attacks, it hasn’t been the easiest year. It’s also been quite the year for
music. While we mourned the loss of many icons, some great music came out this
year. Personally, this is what my year was like in music.
ALBUM OF THE YEAR
David Bowie hadn’t died earlier this year, would I still say this is my
favorite album of the year? It’s hard to say but I think Bowie knew it would be
his last, although producer Tony Visconti says otherwise, saying Bowie had
demos for a follow up ready. Whatever the case may be, I think this was David
Bowie’s goodbye. Bowie died only two days after the release of the
album. In that time span, I enjoyed Blackstar
and thought it was a wild experimental jazz album. With Bowie dead, the album take
on a whole new meaning- which I think was intended. It’s a bleak yet intriguing
album dealing themes such as death and loneliness. Bowie really put his heart
into this one and the end result is amazing.
Highlights: Blackstar, Tis Pity She Was
A Whore, Lazarus, Girl Loves Me
years of being out-of-print, John Cale’s 1982 bleak classic Music For A New Society was reissued on
CD. Along with reissuing the album, Cale decided to re-record the album. As
much as hate to say it, M: FANS is
just okay for me. I do like the idea behind re-recording this album. Cale
recorded the original during a difficult time in his life. With M: FANS, it’s Cale’s first album since
the death of his former band mate Lou Reed. The main problem I have with the
new album is that most of the re-recordings aren’t too different from the
originals. Still, there are some interesting re-workings of these songs- most
of them dabbling in dubstep.
Highlights: If You Were Still Around
(Reprise), Changes Made
has been a while since Iggy Pop has recorded a proper solo album. Pop did
release two French themed albums in 2009 and 2012- as well as reunite with the
Asheton brothers (and later James Williamson) in the reformed Stooges before
then. With both of the Asheton brothers deceased, the Stooges name seems to
have been laid to rest. With that, Pop decided to make a new studio album, with
Queens of the Stone Age’s Josh Homme producing. The album, Post Pop Depression, was supposedly recorded with the idea of it
being a sequel to Pop’s first two albums- The
Idiot and Lust for Life. While
the production for this album is very different from those two album, Post Pop Depression is a fairly
consistent album from Pop. The songs do sometimes feel like they fit with the
songs from The Idiot and Lust for Life. Pop, now 69, shines
throughout the album. Even at his age, Pop’s voice is still strong.
Highlights: Break Into Your Heart,
Gardenia, Sunday, Paraguay
the name doesn’t sound familiar, it’s probably because Scorpion Child are a
reasonably recent band. However, after listening to their music- you would
think they came from the 1970s. Coming from Texas, Scorpion Child are a hard
rock band that are heavily influenced by classic rock- specifically Led Zeppelin,
Deep Purple and even Thin Lizzy. Their debut album from 2013 was a fun
old-school hard rock album. With their sophomore effort, Acid Roulette is a more psychedelic offering- sometimes teetering
near heavy psych. In this year of 2016 where almost everything is overproduced
or uses Autotune, it’s refreshing to hear an album that utilizes the droning
sounds of a hard rock organ. Something tells me the late Jon Lord would’ve been
Highlights: My Woman in Black, She Sings I Kill, Twilight Coven, Tower Grove
Late to Hate
hard rockers Lucifer’s Friend reunited a year or two ago for a number of
reunion shows. This reunion, along with last year’s release of a compilation
featuring new songs, have all led to the band releasing a brand new studio
album. Too Late to Hate is the band’s
first album decades (whether it be 1981’s Mean
Machine or 1994’s Sumo Grip as
Lucifer’s Friend II- it’s still been a long time). It’s a shame that Lucifer’s
Friend are only known by a few people because Too Late to Hate is a very good album. In terms of sounds, Lucifer’s
Friend have changed their sound from album to album. If you liked and/or owned
any of their earlier albums, you’ll probably enjoy this one.
Highlights: Demolition Man, Sea of Promises, Straight for the Heart, Jokers & Fools
½ or 3.75
a universally loathed collaboration with Lou Reed and a 3D concert movie, Metallica
are back with a brand new studio- their first since 2008’s Death Magnetic. Although a double album, the 77 minutes on Hardwired could’ve easily fit onto one
disc. However, the problem with this one is that the music isn’t all that
exciting. The album’s first disc is quite strong but the second disc is where
it falls apart. Still, does that make the album bad at all? No, not really.
When it’s good, Hardwired delivers with
some strong metal tracks. In fact, I’d say most of the album has good songs. However,
it could’ve been kept to eight songs instead of twelve.
Highlights: Hardwired, Moth Into Flame,
Halo of Fire, Atlas Rise, Spit Out the Bone
last time The Rolling Stones released a brand new studio album was in 2005 with
A Bigger Bang. At this point in their
career, the band doesn’t need to write any new material. When going into the
studio to record an album of new material, the band ended up recording this
album of blues covers- live in the studio with no overdubs. For what it is, Blue & Lonesome is a strong album.
The band are pretty tight and the production isn’t too over-the-top. The band
have gone back to their roots, covering the music they hold near and dear to
them. With it being a blues album, it can
be boring at times. However, this is not a bad album at all. In fact, I
wouldn’t have a problem with this being their last one.
Highlights: Just Your Fool, Bring ‘Em On
Down, Everybody Knows About My Good Thing, Blue & Lonesome
Pop- Post Pop Depression
Child- Acid Roulette
Friend- Too Late to Hate
Rolling Stones- Blue & Lonesome
Cale- M: FANS
for a New Society (1982)
with the new M:FANS album, John Cale’s
long out-of-print Music for a New Society
was finally reissued on CD. The album was released on CD sometime in the
1990s and quickly disappeared. You’d be lucky if you found it on eBay for less
than $30. During my time in college, I was able to find my college radio
station’s copy of the album on vinyl- which I used my USB turntable to rip. I
didn’t expect for album to come out on CD so soon!
an album, Music for a New Society is
a wonderfully bleak album. It’s not the easiest album to listen to but the
minimalism and emotion in the songs is quite remarkable. When in comes to the
Velvet Underground and their solo careers, most would think Lou Reed was the
only member who released anything worth listening to. While not as great as
Reed’s, I’d say John Cale’s solo albums are really underrated. If you’re new to
his solo material, I wouldn’t start with this. Get yourself Paris 1919 and The Island Years set (which includes Fear, Slow Dazzle and Helen of Troy) first. If you like those,
you might like this one. Also, it’s now easier to get the album with it back in
Note: not all of these movies were
released in 2016. The ones that aren’t from 2016 were at least released on home
video in some way in 2016.
Are Twisted F***ing Sister
Sister were pretty big back in the 1980s when they released Stay Hungry in 1984. However, the band
had been around for nearly a decade before then. Going into this documentary, I
thought this documentary would be an in-depth look at the entire history of the
band. This isn’t the case, unfortunately. To be fair, Behind the Music covered their successful period quite well. The
story that hasn’t been told is the story of the band prior to the release of Stay Hungry. That’s exactly what this
documentary is. Is it good? Yes, it is. Without giving too much away, the
things that Twisted Sister went through just to make a name for themselves is
astounding. While the documentary does show some archival footage of the band
performing, most of the time is taken up by talking heads. There’s nothing
wrong with this but with a runtime of 137 minutes, that’s a lot of information
for someone new to the band to process. Even with its long runtime, some things
are missing. I noticed there was no mention about the impact the 1979 cult
classic The Warriors had on the band.
Dee Snider has mentioned many times that they adopted their look based on the gangs
depicted in the movie. However, this movie was partially funded by fans through
a Kickstarter-like campaign. I’m guessing they didn’t have the money to do some
things. Given what they had to work with, this is a pretty decent documentary.
he wasn’t exactly rock, Jaco Pastorius has had an incredible influence on
bassists in the genre. Co-produced by Metallica’s Robert Trujillo, Jaco tells the story of the influential
bassist. Pastorius’ story not the most uplifting but it’s a story that needs to
be put on film. Among the interviewees are his friends, his band mates, his
family and the bassists who were influenced by him. If you’re a stranger to
Pastorius and his music, this movie serves as a perfect introduction.
of Obscurity: A Film About the Residents
a band as mysterious as the Residents, how do you make a documentary on them? You
make the documentary about their mystique, their history and their influence. I
usually prefer it when a documentary presents the story in chronological order.
This movie doesn’t exactly do that and sort of swifts into other directions-
which I’m okay with. This might be more of a movie for those who don’t know
about the Residents but either way, it’s a good movie.
retiring from his career as a bodybuilder, Jon Mikl Thor decided to take his
love for heavy metal music and form a band of his own. I Am Thor is a decent movie about Jon Mikl Thor, as well as his
band of the same name. I really wanted to like this movie but I have some
problems with it. While I like that the story is told chronologically, it’s
done in a way where a majority of the movie is showing things that happened in
the past. It isn’t until the last 20 minutes when the present day kicks in.
Even then, I didn’t feel there was any conflict in Jon Mikl’s story. As I type
this, I’m even having a hard time remembering the movie. Usually with
documentaries like this, I become intrigued by the artist and want to listen to
their music. With I Am Thor, I really
wasn’t all that interested. Still, this isn’t a bad movie. It told me about
someone who I had no idea existed. For what it is, it’s okay.
Little Girl Blue
Little Girl Blue has been getting a lot
of praise from movie critics all around, as a heartbreaking documentary
covering the life of Janis Joplin. Having seen it, I enjoyed this movie too-
however to a certain degree. Even though a good movie, it’s missing some
information. Anything about her getting her start at Threadgill’s or even some
of her music is completely overlooked. I always found E! True Hollywood Story’s episode on her to be very strong and full
of information. Sadly, that’s a hard video to find. I think the focus on this
movie was more so about Janis Joplin as a person- which I’m completely fine
with. I think this comes pretty close to THS
and it acts as a nice alternate documentary to 1974’s Janis (similar to how the Hendrix doc Hear My Train A Comin’ was a good update on 1973’s Jimi Hendrix).
Beatles: Eight Days A Week- The Touring Years
Howard decided to make a Beatles movie this year. With there being dozens of
documentaries on the band and its individual members, what makes this one
different from all the others? This one focuses on their touring years. Even
with Paul McCartney and Ringo Starr giving new interviews for the movie, Eight Days A Week doesn’t really reveal
anything new for diehard Beatles fans. I’d say about 15% of the information is
new to me while just some of the video footage looks new (I can’t tell at this
point). So we really didn’t need this movie. Is it still worth seeing? Yeah,
sure. It won’t hurt. It’s always good to hear from Paul and Ringo but I feel
the movie benefited from the interviews with Larry Kane, who went on tour with
the band for their US tours.
Expected releases for 2017
Black Star Riders will be releasing
their third album, Heavy Fire, on
Steel Panther will release their fourth
album, Lower the Bar, on February 24th
Deep Purple will release Infinite on April 7th
Quiet Riot will also be releasing an
album of new material with new singer Seann Hayes
In terms of reissues, the delayed
reissue of Paul McCartney’s 1989 album Flowers
in the Dirt will finally be released on March 24.