Black Star Riders
The Killer Instinct
Following up their 2013 debut All Hell Breaks Loose, hard rocker band Black Star Riders have released The Killer Instinct. While their name might not sound familiar, Black Star Riders are a band with historic origins as the band consists of musicians that were in the reunited version of Thin Lizzy. Of the band’s five members, guitarist Scott Gorham is the only member that was in the Phil Lynott-led version of the band. Still, the other members in the band are well versed in the Lizzy songbook and are true fans. For a second album, The Killer Instinct is pretty solid.
The album opens with Lizzy influenced title track. From the trademark twin lead guitar harmonies to the anthem driven chorus, it’s a strong start for the album and a great choice for the album’s lead single. Guitarist/singer Ricky Warwick shines on the album with his Lynott-like vocal approach and superb songwriting, having co-written more than half of the album. While Black Star Riders are a band that pays tribute to the music of Phil Lynott and Thin Lizzy, the band sounds like they are trying to make a name and sound for themselves. This is certainly the case for songs such as the rocking “Bullet Blues,” the remorseful western-esque “Blindsided” and the strutting riffs of “Through the Motions.” These songs are great and show that the band is capable of making other songs. However, a few of the songs on here aren’t as catchy or memorable as the ones on All Hell Breaks Loose. It sometimes sounds like the band is recycling older material. In fact, the chorus for “Charlie I Gotta Go” sounds an awful lot like the chorus from “Hoodoo Voodoo” from the previous album.
Still, Black Star Riders have written some great songs on here and some do sound a lot like modern day Lizzy tunes. “Soldierstown” has Lizzy envy written all over it, with its twin lead guitar harmonies and subject matter (war and history- something the late Phil Lynott enjoyed writing about) while “Turn In Your Arms” features some killer psychedelic-riddled guitar riffs (a la “Massacre”). The nostalgic “Finest Hour” is another highlight while the band show some off Fleetwood Mac Peter Green era influences on the hard-hitting “Sex, Guns & Gasoline.” The album closes with slow rocker “You Little Liar.”