Ring Starr
Postcards from Paradise
Rating: *** 1/2
Believe it or not, Ringo Starr will be
inducted into the Rock N Roll Hall of Fame this year for his solo career. Since
the announcement, people have been asking one question: why? In Ringo’s
defense, he is not being inducted as a performer but rather for “musical
excellence.” While he didn’t have the strongest solo career, Ringo has never
stopped working since the break-up of the Beatles. Whether he’s with his All
Starr Band, on his solo albums or someone else’s album, Ringo is indeed a
trailblazer. Ringo’s latest album, Postcards
from Paradise, proves this point: it’s Starr’s 18th studio
album, his first since 2012’s Ringo 2012.
Compared to Ringo 2012, Postcards from Paradise is an
improvement as the album is longer and doesn’t feel rushed (Ringo 2012 was less than half an hour). Still,
the album is certainly not an instant classic. If anything, Ringo makes his
albums for fun. With that being said, Postcards
from Paradise is a fun album to listen to.
When
looking at the tracking list for the album, I was impressed to see that there
wasn’t a song with “Liverpool” in the title. The opening track, “Rory and the
Hurricanes,” might’ve mostly taken place in Liverpool. The song is a sweet autobiographical
50s rock n roll number about Rory Storm and the Hurricanes, the band Ringo was
in prior to joining the Beatles. While it might be seen as corny, I personally
enjoy the song and love how Ringo is paying tribute to the band that gave him
his start. The psychedelic reggae “You Bring the Party Down” is an interesting
track: while this is Ringo’s song, it reminds me of a John Lennon solo track.
During the chorus, I can easily imagine Lennon giving a hearty vocal
performance (“I Found Out” comes to mind). If Lennon was an influence on the
track, I would not be surprised.
The
next few tracks are, in my opinion, fall on the weak side. “Bridges” has a
strong vocal performance from Ringo but nothing more while “Right Side of the
Road” just doesn’t go anywhere. The title track, which is the album’s lead
single, might be cringe-worthy for some listeners. The song is written in the
form of a letter, with Ringo referencing Beatles songs Gene Shalit style. It’s
not a bad song, mind you. In fact, it’s kind of cute in a way. The second half
of the album is stronger. “Not Looking Back” is a beautiful slow ballad with
solid lyrics while the guitar and keyboard led “Touch and Go” is simply catchy.
The festive “Bamboula” features some impressive drumming, celebrating all things
New Orleans. The reggae influence is strong on this album and can be heard
throughout most of the album. This is certainly the case for “Island in the Sun,”
as it features island steel drums and rousing saxophone playing.